3 Photography Techniques to Try (Inspired by Spain’s Blackout)


CAPTURED - Weekly Newsletter

3 Photography Techniques to Try (Inspired by Spain’s Blackout)

Hey Reader,

Spain had a big blackout this week — el apagón.

Phones stopped working.

Some people were stuck in lifts or stranded mid-travel.

I got lucky. I was home. Nothing urgent going on.

And while it could’ve been a pain, it actually gave me a bit of space to pick up my camera and test a few things I’d been meaning to try.

No client work. No pressure. Just time to practise and mess around.

Here are three techniques I worked on — and how they can help improve your photography, especially in tricky light or indoor settings:

Changing How I Meter Light

On Fujifilm cameras, there’s a setting called Photometry.

It controls how the camera reads the light in a scene.

Most of the time I leave it on Multi — it reads across the whole frame and gives a general exposure.

But lately, I’ve been drawn to images with deep shadows and controlled highlights.

So I switched to Spot metering — it only exposes for one small part of the frame (usually your focus point).

Everything else? Left to fall into shadow.

During the blackout, I tried it properly — moving through scenes, testing it with doorways, windows, and people in harsh light.

I liked it so much I saved a custom setting for it on my Fuji.

Now I can switch to it instantly when I want that dramatic, shadow-heavy look.

If your photos sometimes feel flat or too evenly lit, this is worth trying.

It forces you to make a call on what should be correctly exposed, and ignore the rest.

Bracketing for Better Interiors

When I shoot hotels or interiors, I almost always bracket exposures.

Here’s how I do it:

  • One darker shot (to save the highlights)
  • One normal shot
  • One brighter shot (to pull out the shadows)

I shoot all three in-camera using Fujifilm’s / Sony's bracket mode.

No extra lighting, no flash — just a quick burst of three exposures.

Later, I blend them in Lightroom or Photoshop, masking in the parts I want from each one.

It doesn’t take long, and the result looks clean and real.

I don’t go heavy with it — no fake HDR vibes.

Just enough to balance a bright window and a dark interior without losing either.

I practised this again during the blackout with some moody light coming through the windows.

And it reminded me why I rely on this method so much, especially when shooting rooms for hotels.

Slowing Shutter Speeds to Add Life

Okay, tbh — I didn’t actually shoot like this during the blackout, but it’s something I’ve been thinking more about lately.

When I’m shooting interiors or travel scenes, everything can start to feel a bit still.

Too perfect.

So I’ve been playing with the idea of slowing down shutter speeds to bring some motion back in.

Think:

  • Curtains moving slightly from the wind
  • A couple riding through the frame
  • Light trails from passing cars outside the window

Even exposures between 1/5 and 1 second can make a difference.

The key is having something in the frame that stays sharp, so the motion blur feels intentional.

It works best when paired with strong composition and natural light.

I usually do this handheld against a wall or with a mini tripod.

ISO at 160 or 200, f/8 or higher, then dial the shutter speed until it looks right.

This isn’t a technique I use every day, but it’s one I’m bringing into more of my hotel work, especially when I want a space to feel a bit more lived-in or natural.

Hope that gave you something useful to try.

Let me know if you’ve used any of these before, or if you’re going to test one out soon.

Catch you next week,

Matty 📷 🚀

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