Hey Reader,
Spain had a big blackout this week — el apagón.
Phones stopped working.
Some people were stuck in lifts or stranded mid-travel.
I got lucky. I was home. Nothing urgent going on.
And while it could’ve been a pain, it actually gave me a bit of space to pick up my camera and test a few things I’d been meaning to try.
No client work. No pressure. Just time to practise and mess around.
Here are three techniques I worked on — and how they can help improve your photography, especially in tricky light or indoor settings:
Changing How I Meter Light
On Fujifilm cameras, there’s a setting called Photometry.
It controls how the camera reads the light in a scene.
Most of the time I leave it on Multi — it reads across the whole frame and gives a general exposure.
But lately, I’ve been drawn to images with deep shadows and controlled highlights.
So I switched to Spot metering — it only exposes for one small part of the frame (usually your focus point).
Everything else? Left to fall into shadow.
During the blackout, I tried it properly — moving through scenes, testing it with doorways, windows, and people in harsh light.
I liked it so much I saved a custom setting for it on my Fuji.
Now I can switch to it instantly when I want that dramatic, shadow-heavy look.
If your photos sometimes feel flat or too evenly lit, this is worth trying.
It forces you to make a call on what should be correctly exposed, and ignore the rest.
Bracketing for Better Interiors
When I shoot hotels or interiors, I almost always bracket exposures.
Here’s how I do it:
- One darker shot (to save the highlights)
- One normal shot
- One brighter shot (to pull out the shadows)
I shoot all three in-camera using Fujifilm’s / Sony's bracket mode.
No extra lighting, no flash — just a quick burst of three exposures.
Later, I blend them in Lightroom or Photoshop, masking in the parts I want from each one.
It doesn’t take long, and the result looks clean and real.
I don’t go heavy with it — no fake HDR vibes.
Just enough to balance a bright window and a dark interior without losing either.
I practised this again during the blackout with some moody light coming through the windows.
And it reminded me why I rely on this method so much, especially when shooting rooms for hotels.
Slowing Shutter Speeds to Add Life
Okay, tbh — I didn’t actually shoot like this during the blackout, but it’s something I’ve been thinking more about lately.
When I’m shooting interiors or travel scenes, everything can start to feel a bit still.
Too perfect.
So I’ve been playing with the idea of slowing down shutter speeds to bring some motion back in.
Think:
- Curtains moving slightly from the wind
- A couple riding through the frame
- Light trails from passing cars outside the window
Even exposures between 1/5 and 1 second can make a difference.
The key is having something in the frame that stays sharp, so the motion blur feels intentional.
It works best when paired with strong composition and natural light.
I usually do this handheld against a wall or with a mini tripod.
ISO at 160 or 200, f/8 or higher, then dial the shutter speed until it looks right.
This isn’t a technique I use every day, but it’s one I’m bringing into more of my hotel work, especially when I want a space to feel a bit more lived-in or natural.
Hope that gave you something useful to try.
Let me know if you’ve used any of these before, or if you’re going to test one out soon.